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Utakmica finala Svjetskog nogometnog prvenstva u Rusiji 2018. između Hrvatske i Francuske poklopila se s održavanjem Pula Film Festivala.

Utakmica se, poput filmova, prikazivala na velikom ekranu Arene, najvećem ljetnom kinu u Hrvatskoj i šire. Tog ljeta na Pulskom festivalu premijeru je imao film "Do kraja smrti" radišnog Anđela Jurkasa ("Happy End: Glup i gluplji 3"), njegov treći romantično-dramski omnibus nakon "Zbog tebe" i "Fuck Off I Love You".

"Do kraja smrti" je bio slabiji i neujednačeniji od prethodnika, ali imao je možda i najbolji kratki film unutar filma od svih Jurkasovih, s prilično originalnom postavkom.

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FILM: 4:2; romantična drama; Hrvatska, 2022. REŽIJA: Anđelo Jurkas ULOGE: Bojan Gregorić, Ivo Krešić OCJENA: *** ½

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Za "sound of silence" pasaž s Jurkasom i Bojanom Gregorić autor ovih redaka je zapisao da je to njegov dotadašnji filmaški "finest hour" uz vlak-scenu iz "Fuck Off I Love You".

"U ulogama otuđenih supružnika njih dvoje govore u sebi, a njihovi unutarnji monolozi pišu se na ekranu dok šutke putuju autocestom u (ne)poznato", pisalo je u recenziji "Do kraja smrti".

Četiri godine kasnije, Jurkas je na Puli predstavio novi, dosad najzreliji film "4:2" u kojem je kao redatelj i scenarist isprepleo finale SP-a 2018. sa "sound of silence" segmentom "Do kraja smrti". "4:2" je na određeni način dugometražna verzija ili parafraza kratkometražnog filma unutar "Do kraja smrti". Filmaši to rade pa je npr. kratki "Whiplash" postao dugi ("Ritam ludila").

Ponovno imamo jedan par u autu i tišinu, "sound of silence", može i "enjoy the silence" ili "silence must be heard", a njihove monološke misli čitamo na ekranu u obliku titlova. Ponovno glavni ženski lik glumi Bojana Gregorić koja ispred Jurkasove kamere proživljava novu (glumačku) mladost u krupnim planovima dok joj vjetar vijori kosu. Međutim, nije sve isto.

Ovaj put glavni muški lik igra Ivo Krešić, par je bračni i ne putuje šuteći u nepoznato, već iz Zagreba prema Rijeci gdje je njezin otac doživio infarkt, fotografija je većinski ugođajna crno-bijela, a priča sada traje otprilike pet puta duže (75 minuta).

Napokon, putovanje se odvija u podlozi finala u SP-u 2018., što drami filma, zasnovanog na "stvarnim događajima i osobama" te naslovljenog po rezultatu utakmice, daje ne samo "težinu" ("zapamtite taj povijesni datum"), već i nudi Jurkasu mogućnost kontrastiranja i isprepletanja nogometne i ljubavne utakmice, finala SP-a i (potencijalnog) finala jednog braka.

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Dok "nacija diše kao jedno", dvoje supružnika su na bračnom izdisaju. S jedne strane kolektivni delirij, s druge intimna drama. Navijačko šarenilo i c/b fotografija, prijenos sportskog komentatora i unutarnji monolozi bračnog para, glasno navijanje i šutnja. "Francuska vodi 2:1, tišina vodi 3:0". Golovi i prizori iz bračnog života. Kiša u Rusiji, pljusak u Gorskom kotaru.

"Zamor u nogama naših" na terenu, umor u srcu našeg para. Kad Hrvatska izjednači "evo nas opet natrag u igri", ali možda evo i njih. Nakon što Francuska povede s dva razlike i komentator kaže "bojim se da je gotovo i da nas samo čudo može vratiti", njegove riječi preslikavaju atmosferu u autu.

No, obje utakmice možda mogu dobiti preokret u produžecima iz paralelne ili stvarne stvarnosti i ostvariti pobjedu u Jurkasovoj sudačkoj nadoknadi kad crno-bijela slika može poprimiti boju, jer "nada umire posljednja". Koncept je uistinu dobar, kao da su se protagonisti divne romantične trilogije "Prije svitanja", "Prije sumraka" i "Prije ponoći" našli u "Lockeu", sjajnom filmu u kojem Tom Hardy nije izlazio iz auta.

Trilogija je citirana u unutarnjim mislima para, zarobljenog u "Before Midnight" fazi veze, daleko od mladenačkog poleta "Before Sunrise". "Da smo 20 godina mlađi", čujemo vapaj. Jurkas je najviše osjećao kratke romantične segmente prethodnih filmova, koji su varirali između romantične sirovosti i sladunjavosti, kao sada i "4:2", tako da nije čudno da se odlučio za dugometražnu romansu.

Međutim, povremeno se znade učiniti da ovdje nije bilo štofa za punih 75 minuta, tj. da "4:2" određenu kilometražu vozi u leru i vrti se ukrug, kao i to da patetika prijeti progutati iskrenu romantiku. Redatelj doskače tome nekim svježim eksperimentalnim rješenjima i specijalnim efektima, tipa da ženski lik kaže "ja bi 'Black Mirror', onu epizodu kad nestanu" i akteri stvarno iščeznu. Kamera snima prazan auto u vožnji i film najednom putuje "Izgubljenom cestom" prema "Zoni sumraka".

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Iduća je 'Ana'

U sklopu programa "Filmovi u nastanku" na Pulskom festivalu je najavljen i idući Jurkasov uradak, psihološka drama "Ana".

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Utakmica finala Svjetskog nogometnog prvenstva u Rusiji 2018. između Hrvatske i Francuske poklopila se s održavanjem Pula Film Festivala.

Utakmica se, poput filmova, prikazivala na velikom ekranu Arene, najvećem ljetnom kinu u Hrvatskoj i šire. Tog ljeta na Pulskom festivalu premijeru je imao film "Do kraja smrti" radišnog Anđela Jurkasa ("Happy End: Glup i gluplji 3"), njegov treći romantično-dramski omnibus nakon "Zbog tebe" i "Fuck Off I Love You".

"Do kraja smrti" je bio slabiji i neujednačeniji od prethodnika, ali imao je možda i najbolji kratki film unutar filma od svih Jurkasovih, s prilično originalnom postavkom.

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FILM: 4:2; romantična drama; Hrvatska, 2022. REŽIJA: Anđelo Jurkas ULOGE: Bojan Gregorić, Ivo Krešić OCJENA: *** ½

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Za "sound of silence" pasaž s Jurkasom i Bojanom Gregorić autor ovih redaka je zapisao da je to njegov dotadašnji filmaški "finest hour" uz vlak-scenu iz "Fuck Off I Love You".

"U ulogama otuđenih supružnika njih dvoje govore u sebi, a njihovi unutarnji monolozi pišu se na ekranu dok šutke putuju autocestom u (ne)poznato", pisalo je u recenziji "Do kraja smrti".

Četiri godine kasnije, Jurkas je na Puli predstavio novi, dosad najzreliji film "4:2" u kojem je kao redatelj i scenarist isprepleo finale SP-a 2018. sa "sound of silence" segmentom "Do kraja smrti". "4:2" je na određeni način dugometražna verzija ili parafraza kratkometražnog filma unutar "Do kraja smrti". Filmaši to rade pa je npr. kratki "Whiplash" postao dugi ("Ritam ludila").

Ponovno imamo jedan par u autu i tišinu, "sound of silence", može i "enjoy the silence" ili "silence must be heard", a njihove monološke misli čitamo na ekranu u obliku titlova. Ponovno glavni ženski lik glumi Bojana Gregorić koja ispred Jurkasove kamere proživljava novu (glumačku) mladost u krupnim planovima dok joj vjetar vijori kosu. Međutim, nije sve isto.

Ovaj put glavni muški lik igra Ivo Krešić, par je bračni i ne putuje šuteći u nepoznato, već iz Zagreba prema Rijeci gdje je njezin otac doživio infarkt, fotografija je većinski ugođajna crno-bijela, a priča sada traje otprilike pet puta duže (75 minuta).

Napokon, putovanje se odvija u podlozi finala u SP-u 2018., što drami filma, zasnovanog na "stvarnim događajima i osobama" te naslovljenog po rezultatu utakmice, daje ne samo "težinu" ("zapamtite taj povijesni datum"), već i nudi Jurkasu mogućnost kontrastiranja i isprepletanja nogometne i ljubavne utakmice, finala SP-a i (potencijalnog) finala jednog braka.

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Dok "nacija diše kao jedno", dvoje supružnika su na bračnom izdisaju. S jedne strane kolektivni delirij, s druge intimna drama. Navijačko šarenilo i c/b fotografija, prijenos sportskog komentatora i unutarnji monolozi bračnog para, glasno navijanje i šutnja. "Francuska vodi 2:1, tišina vodi 3:0". Golovi i prizori iz bračnog života. Kiša u Rusiji, pljusak u Gorskom kotaru.

"Zamor u nogama naših" na terenu, umor u srcu našeg para. Kad Hrvatska izjednači "evo nas opet natrag u igri", ali možda evo i njih. Nakon što Francuska povede s dva razlike i komentator kaže "bojim se da je gotovo i da nas samo čudo može vratiti", njegove riječi preslikavaju atmosferu u autu.

No, obje utakmice možda mogu dobiti preokret u produžecima iz paralelne ili stvarne stvarnosti i ostvariti pobjedu u Jurkasovoj sudačkoj nadoknadi kad crno-bijela slika može poprimiti boju, jer "nada umire posljednja". Koncept je uistinu dobar, kao da su se protagonisti divne romantične trilogije "Prije svitanja", "Prije sumraka" i "Prije ponoći" našli u "Lockeu", sjajnom filmu u kojem Tom Hardy nije izlazio iz auta.

Trilogija je citirana u unutarnjim mislima para, zarobljenog u "Before Midnight" fazi veze, daleko od mladenačkog poleta "Before Sunrise". "Da smo 20 godina mlađi", čujemo vapaj. Jurkas je najviše osjećao kratke romantične segmente prethodnih filmova, koji su varirali između romantične sirovosti i sladunjavosti, kao sada i "4:2", tako da nije čudno da se odlučio za dugometražnu romansu.

Međutim, povremeno se znade učiniti da ovdje nije bilo štofa za punih 75 minuta, tj. da "4:2" određenu kilometražu vozi u leru i vrti se ukrug, kao i to da patetika prijeti progutati iskrenu romantiku. Redatelj doskače tome nekim svježim eksperimentalnim rješenjima i specijalnim efektima, tipa da ženski lik kaže "ja bi 'Black Mirror', onu epizodu kad nestanu" i akteri stvarno iščeznu. Kamera snima prazan auto u vožnji i film najednom putuje "Izgubljenom cestom" prema "Zoni sumraka".

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Iduća je 'Ana'

U sklopu programa "Filmovi u nastanku" na Pulskom festivalu je najavljen i idući Jurkasov uradak, psihološka drama "Ana".

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StoryEditorOCM
Film & TVCINEMARK NA FESTIVALU

‘4:2‘: Golovi iz bračnog života

Piše Marko Njegić
20. srpnja 2022. - 14:25
22802224
PREMIUM
Galerija

Utakmica finala Svjetskog nogometnog prvenstva u Rusiji 2018. između Hrvatske i Francuske poklopila se s održavanjem Pula Film Festivala.

Utakmica se, poput filmova, prikazivala na velikom ekranu Arene, najvećem ljetnom kinu u Hrvatskoj i šire. Tog ljeta na Pulskom festivalu premijeru je imao film "Do kraja smrti" radišnog Anđela Jurkasa ("Happy End: Glup i gluplji 3"), njegov treći romantično-dramski omnibus nakon "Zbog tebe" i "Fuck Off I Love You".

"Do kraja smrti" je bio slabiji i neujednačeniji od prethodnika, ali imao je možda i najbolji kratki film unutar filma od svih Jurkasovih, s prilično originalnom postavkom.

Za "sound of silence" pasaž s Jurkasom i Bojanom Gregorić autor ovih redaka je zapisao da je to njegov dotadašnji filmaški "finest hour" uz vlak-scenu iz "Fuc...

#CINEMARK#CINEMARK NA FESTIVALU#ANĐELO JURKAS#PULAFILMFESTIVAL#BOJANA GREGORIC#FINALE SVJETSKOG PRVENSTVA U RUSIJI#ROMANTIČNE DRAME#IVO KREŠIĆ#4:2#HRVATSKI FILMOVI
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11. svibanj 2024 21:49