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[title] => Split Film Festival doista donosi fascinantan program. Vrhunske filmove iz Japana, Perua, Irana... ne smijete propustiti, a tu je i domaći ‘Illyricvm‘
[alias] => split-film-festival-doista-donosi-fascinantan-program-vrhunske-filmove-iz-japana-perua-irana-ne-smijete-propustiti-a-tu-je-i-domaci-illyricvm
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Festivalsko ljeto, kad je o sedmoj umjetnosti riječ, poslovično se privodi kraju sa Split Film Festivalom, najdugovječnijom međunarodnom filmsko-festivalskom manifestacijom u Hrvatskoj.
STFF je dogurao do visokog 27. izdanja, što je doista hvalevrijedno postignuće, a od 1996. do danas upriličio je za hrvatske pojmove jedinstvene retrospektive Béle Tarra i Larsa von Triera, brazilskog Cinema Novo i nepoznatog Orsona Wellesa, te oca video-arta Nam June Paika, tj. omogućio prvo “drive in kino” na ovim prostorima, Tarrovu radionicu i predavanje oca filmske avangarde Petera Kubelke.
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Nakon prošlogodišnjeg hibridnog, mahom “online” izdanja zbog pandemije, STFF je sada tempiran za održavanje “uživo” u kinu “Karaman”, i to od 1. do 9. rujna, ove godine ranije nego inače.
Filmofilima će STFF opet predstaviti filmove sa svih kontinenata koji su birani “ne po nagradama na svjetskim festivalima, nego po izvrsnosti”. Ipak, dosta odabranih filmova na kraju jest bilo prikazano na “brojnim poznatim festivalima” (Sundance, Berlinale...), a na STFF-u će se ukazati kao hrvatske premijere, čak i europske i svjetske.
Direkcija festivala zadovoljno ističe da je sve više žena na filmu i da ćemo neke od njihovih filmova vidjeti na festivalu. Također, najavljuje se i da se većina ponuđenih filmova, mahom mlađih redatelja, bavi “pitanjima identiteta današnje mladosti (rodni, poslovni, intimni, socijalni, migrantski itd.)”.
Sve što se događa danas oko nas, napominju STFF-ovci u najavi, prelama se kroz svijest pojedinca, tako da Gauguinov natpis na slici “D’où Venons Nous/Que Sommes Nous/Où Allons Nous” dijelom odgovara temi festivala “Tko sam? Kamo idem? Who am i? Where am i going?”.
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Filmovi će se, kao i uvijek, prikazivati u dugometražnoj i kratkometražnoj međunarodnoj konkurenciji, te paralelnim programima Forum, Frame Extended. Naravno, ne smijemo zaboraviti i Hrvatski film te Posebni program.
Konkurenciju dugometražnih filmova čini osam međunarodnih naslova o kojima će odlučivati žiri u kojem se nalaze indijski filmaš Aditya Kripalani (“Neprestani strah od silovanja”) i Bruno Pavić (“Nulti krajolik”).
Festival poznat po težim, dramskim filmovima otvara francusko-kanadska komedija sa Sundancea – “Babysitter” redateljice Monie Chokri, inače glumice (“Vrati život živima”) poznate po ulogama u filmovima Xaviera Dolana (“U svakom slučaju, Laurence”, “Izmišljene ljubavi”).
Horor “Lucifer” Petera Brunnera inspiriran je istinitom pričom o jednom egzorcizmu, a “Ljeto kao ovo” (“Un été comme ça”) Denisa Côtéa priča je o tri žene koje se bore s vlastitim demonima.
“Skakavac” (“Malakh”) iranske filmašice Faezeh Azizkhani metafilmska je priča o siromašnoj 40-godišnjakinji koja prodaje svoj poluautobiografski scenarij prijateljici koja po njemu snimi film.
Žanrovsku raznolikost u konkurenciji dugometražnih filmova potvrđuje kazahstansko-ruski “Napad” (“Шtypm”) Adilkana Yerzhanova, o talačkoj krizi u seoskoj školi gradića Karatasa.
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Na egzotično selo publiku će odvesti i “Yamabuki” Juichira Yamasakija, fokusiran na nekoliko mještana planinskoga gradića Maniwa u zapadom dijelu Japana, te “Povratak u prah” (“Yin ru chen yan”) Lija Ruijunaa o ruralnom životu, nedaćama i nadi jednog bračnog para.
Konačno, tu je i “Moja praznina i ja” (“Mi vacio y yo”) Adriana Silvestrea, film na temu transseksualnosti, tranzicije i “načina na koji pronalazimo svoje mjesto u svijetu”.
Međunarodna konkurencija kratkometražnog filma ima 24 naslova, a jednog od njih (“Aqualia”) potpisuje hrvatski autor Vladislav Knežević.
Od dugometražnih filmova u Hrvatskom programu izdvaja se “Illyricvm”, prvijenac Simona Bogojevića Naratha premijerno prikazan na Pulskom festivalu, te “Žene minorne spekulacije”, eksperimentalni dugi film Nicole Hewitt, a najavljeno je i šest kratkometražnih, neprikazanih u Splitu.
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Forum donosi peruanski film “Al Oriente” Josea Marie Avilesa, meksičke “Bogove Meksika” Helmuta Dosantosa, te “Noćni vrtić” Mamounija Sanoua iz egzotične Burkine Faso.
Frame Extended, pak, donosi iransko “Ubojstvo eunuha Khana” Abeda Abesta, “Beatrix” austrijskih redateljica Molene Czernovsky i Lilith Kraxner, te “Magdalu” francuskog filmaša Damiena Manivela.
Posebni program rezerviran je za radove: “Arido Taurajo i umjetnost virtualnog i strojnog svijeta” Jamesa Morgana, Retrospektiva kratkih filmova Dalibora Barića (2021. ušao u utrku za Oscara s animacijom “Slučajna raskoš prozirnog vodenog rebusa”) te Studentski filmovi akademija i sveučilišta sa svih strana svijeta, uključujući i splitski UMAS, koji predstavlja mladi Splićanin Ivan Trpimir Lozić s kratkišem “Kasni Check-Out”.
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Što se tiče stranih gostiju, Split bi trebali posjetiti spomenuti redatelji Silvestre i Dosantos, japanski producent Terutar Osana..., nažalost ne i Carlos Reygadas.
Čuveni meksički filmaš bio je 2020. dobitnik posebne nagrade STFF-a za izniman doprinos umjetnosti pokretnih slika. Međutim, zbog pandemije nije mogao posjetiti Split ni tada ni lani.
Reygadas je trebao doći u Split ove godine, ali termin festivala poklopio se sa snimanjem filma.
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Plakat 27. STFF-a
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Plakat 27. STFF-a
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Festivalsko ljeto, kad je o sedmoj umjetnosti riječ, poslovično se privodi kraju sa Split Film Festivalom, najdugovječnijom međunarodnom filmsko-festivalskom manifestacijom u Hrvatskoj.
STFF je dogurao do visokog 27. izdanja, što je doista hvalevrijedno postignuće, a od 1996. do danas upriličio je za hrvatske pojmove jedinstvene retrospektive Béle Tarra i Larsa von Triera, brazilskog Cinema Novo i nepoznatog Orsona Wellesa, te oca video-arta Nam June Paika, tj. omogućio prvo “drive in kino” na ovim prostorima, Tarrovu radionicu i predavanje oca filmske avangarde Petera Kubelke.
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Nakon prošlogodišnjeg hibridnog, mahom “online” izdanja zbog pandemije, STFF je sada tempiran za održavanje “uživo” u kinu “Karaman”, i to od 1. do 9. rujna, ove godine ranije nego inače.
Filmofilima će STFF opet predstaviti filmove sa svih kontinenata koji su birani “ne po nagradama na svjetskim festivalima, nego po izvrsnosti”. Ipak, dosta odabranih filmova na kraju jest bilo prikazano na “brojnim poznatim festivalima” (Sundance, Berlinale...), a na STFF-u će se ukazati kao hrvatske premijere, čak i europske i svjetske.
Direkcija festivala zadovoljno ističe da je sve više žena na filmu i da ćemo neke od njihovih filmova vidjeti na festivalu. Također, najavljuje se i da se većina ponuđenih filmova, mahom mlađih redatelja, bavi “pitanjima identiteta današnje mladosti (rodni, poslovni, intimni, socijalni, migrantski itd.)”.
Sve što se događa danas oko nas, napominju STFF-ovci u najavi, prelama se kroz svijest pojedinca, tako da Gauguinov natpis na slici “D’où Venons Nous/Que Sommes Nous/Où Allons Nous” dijelom odgovara temi festivala “Tko sam? Kamo idem? Who am i? Where am i going?”.
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Filmovi će se, kao i uvijek, prikazivati u dugometražnoj i kratkometražnoj međunarodnoj konkurenciji, te paralelnim programima Forum, Frame Extended. Naravno, ne smijemo zaboraviti i Hrvatski film te Posebni program.
Konkurenciju dugometražnih filmova čini osam međunarodnih naslova o kojima će odlučivati žiri u kojem se nalaze indijski filmaš Aditya Kripalani (“Neprestani strah od silovanja”) i Bruno Pavić (“Nulti krajolik”).
Festival poznat po težim, dramskim filmovima otvara francusko-kanadska komedija sa Sundancea – “Babysitter” redateljice Monie Chokri, inače glumice (“Vrati život živima”) poznate po ulogama u filmovima Xaviera Dolana (“U svakom slučaju, Laurence”, “Izmišljene ljubavi”).
Horor “Lucifer” Petera Brunnera inspiriran je istinitom pričom o jednom egzorcizmu, a “Ljeto kao ovo” (“Un été comme ça”) Denisa Côtéa priča je o tri žene koje se bore s vlastitim demonima.
“Skakavac” (“Malakh”) iranske filmašice Faezeh Azizkhani metafilmska je priča o siromašnoj 40-godišnjakinji koja prodaje svoj poluautobiografski scenarij prijateljici koja po njemu snimi film.
Žanrovsku raznolikost u konkurenciji dugometražnih filmova potvrđuje kazahstansko-ruski “Napad” (“Шtypm”) Adilkana Yerzhanova, o talačkoj krizi u seoskoj školi gradića Karatasa.
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Na egzotično selo publiku će odvesti i “Yamabuki” Juichira Yamasakija, fokusiran na nekoliko mještana planinskoga gradića Maniwa u zapadom dijelu Japana, te “Povratak u prah” (“Yin ru chen yan”) Lija Ruijunaa o ruralnom životu, nedaćama i nadi jednog bračnog para.
Konačno, tu je i “Moja praznina i ja” (“Mi vacio y yo”) Adriana Silvestrea, film na temu transseksualnosti, tranzicije i “načina na koji pronalazimo svoje mjesto u svijetu”.
Međunarodna konkurencija kratkometražnog filma ima 24 naslova, a jednog od njih (“Aqualia”) potpisuje hrvatski autor Vladislav Knežević.
Od dugometražnih filmova u Hrvatskom programu izdvaja se “Illyricvm”, prvijenac Simona Bogojevića Naratha premijerno prikazan na Pulskom festivalu, te “Žene minorne spekulacije”, eksperimentalni dugi film Nicole Hewitt, a najavljeno je i šest kratkometražnih, neprikazanih u Splitu.
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Forum donosi peruanski film “Al Oriente” Josea Marie Avilesa, meksičke “Bogove Meksika” Helmuta Dosantosa, te “Noćni vrtić” Mamounija Sanoua iz egzotične Burkine Faso.
Frame Extended, pak, donosi iransko “Ubojstvo eunuha Khana” Abeda Abesta, “Beatrix” austrijskih redateljica Molene Czernovsky i Lilith Kraxner, te “Magdalu” francuskog filmaša Damiena Manivela.
Posebni program rezerviran je za radove: “Arido Taurajo i umjetnost virtualnog i strojnog svijeta” Jamesa Morgana, Retrospektiva kratkih filmova Dalibora Barića (2021. ušao u utrku za Oscara s animacijom “Slučajna raskoš prozirnog vodenog rebusa”) te Studentski filmovi akademija i sveučilišta sa svih strana svijeta, uključujući i splitski UMAS, koji predstavlja mladi Splićanin Ivan Trpimir Lozić s kratkišem “Kasni Check-Out”.
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Što se tiče stranih gostiju, Split bi trebali posjetiti spomenuti redatelji Silvestre i Dosantos, japanski producent Terutar Osana..., nažalost ne i Carlos Reygadas.
Čuveni meksički filmaš bio je 2020. dobitnik posebne nagrade STFF-a za izniman doprinos umjetnosti pokretnih slika. Međutim, zbog pandemije nije mogao posjetiti Split ni tada ni lani.
Reygadas je trebao doći u Split ove godine, ali termin festivala poklopio se sa snimanjem filma.
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[name] => Photo gallery
[value] => ON
[type] => radio
[group] => 9
[published] => 1
[ordering] => 6
[alias] => Photo_gallery
)
[6] => stdClass Object
(
[id] => 64
[name] => Promo
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 7
[alias] => promo
)
[8] => stdClass Object
(
[id] => 67
[name] => Contains video
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 9
[alias] => contains_video
)
[9] => stdClass Object
(
[id] => 68
[name] => Premium content
[value] => ON
[type] => radio
[group] => 9
[published] => 1
[ordering] => 10
[alias] => premium_content
)
[10] => stdClass Object
(
[id] => 69
[name] => Exclude comments
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 11
[alias] => exclude_comments
)
[11] => stdClass Object
(
[id] => 70
[name] => Open link in new window
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 12
[alias] => open_link_in_new_window
)
[12] => stdClass Object
(
[id] => 71
[name] => Horizontal crop of the main photo
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 13
[alias] => horizontal_crop_of_the_main_photo
)
[13] => stdClass Object
(
[id] => 73
[name] => No-index
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 15
[alias] => no_index
)
[14] => stdClass Object
(
[id] => 74
[name] => No-cache
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 16
[alias] => no_cache
)
[15] => stdClass Object
(
[id] => 77
[name] => Don't show on the front page
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 17
[alias] => dont_show_on_the_front_page
)
[16] => stdClass Object
(
[id] => 78
[name] => Related on bottom
[value] => ON
[type] => radio
[group] => 9
[published] => 1
[ordering] => 18
[alias] => related_on_bottom
)
[17] => stdClass Object
(
[id] => 79
[name] => Live button
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 19
[alias] => live_button
)
[26] => stdClass Object
(
[id] => 87
[name] => Instant articles
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 28
[alias] => instant_articles
)
[27] => stdClass Object
(
[id] => 91
[name] => S preporučuje
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 29
[alias] => s_preporucuje
)
[28] => stdClass Object
(
[id] => 92
[name] => S voli
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 30
[alias] => s_voli
)
[29] => stdClass Object
(
[id] => 93
[name] => Layout with three photos
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 31
[alias] => layout_with_three_photos
)
[30] => stdClass Object
(
[id] => 94
[name] => Gallery in the article
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 32
[alias] => gallery_in_the_article
)
[31] => stdClass Object
(
[id] => 95
[name] => Required views
[value] => 0
[type] => textfield
[group] => 9
[published] => 1
[ordering] => 33
[alias] => required_views
)
[32] => stdClass Object
(
[id] => 96
[name] => FullHD image
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 34
[alias] => fullhd_image
)
[33] => stdClass Object
(
[id] => 98
[name] => Paid Article
[value] => OFF
[type] => radio
[group] => 9
[published] => 1
[ordering] => 36
[alias] => paid_article
)
)
10. svibanj 2024 16:19
